It would seem that, at first sight, S.J. Watson’s Before I Go to Sleep (HarperCollins, 2011) and Graeme Simsion’s The Rosie Project (HarperCollins, 2013) do not have any threads in common. The first novel describes a woman’s tragic and mysterious consequences of a traumatic memory loss and the second novel is a lighthearted look at an Asperger syndrome sufferer’s attempt to attain a love life. On closer inspection, however, here are some of the elements which allow for an interesting literary comparison:
- First person unreliable narrative. Both novels are written from the perspective of the protagonists; Christine Lucas (Before I go to Sleep) and Don Tillman (The Rosie Project). In both cases, they are unreliable narrators: Christine because she suffers from various forms of amnesia so she can narrate only those memories which she writes in her journal every day as she forgets everything while she sleeps and Don because he has Asperger syndrome and therefore his compulsiveness and obsessive logic leave out many normally significant facts. This unreliability, however, creates what could loosely be called a psychological thriller in the first case and a lighthearted romance in the second case. Both protagonists rely on others to validate what they feel and understand of their own life. Christine has her lover and self-appointed husband as well as Dr. Nash who supply her with descriptions or photos of past facts and actions which she then attempts to make her own. Towards the end of the novel, Christine’s best friend Claire is instrumental in saving her life. Don has his two best friends who help him maneuver in social circumstances and who are the bouncing bags for his ideas on how to find a satisfactory partner. The unreliability of Christine’s memory means that the reader does not have steady consistent and trustworthy clues as to who it was that was responsible for her amnesia, but also who it is that is the keeper of her memories: the suspense then leads to continuous reading. The unreliability of Don’s narrative significantly adds to the unpredictable and funny resolutions of his search for a potential partner who is to “provide intellectual stimulation, share activities with, perhaps to breed with”.
- The role of memory. Both novels question the extent, utility, and role of memory, but the protagonists find themselves enmeshed with different definitions of what exactly memory does for them. Christine relies on her fragmented, sketchy, constantly recreated memory for the definition of her identity. Don, on the other hand, having exceptional memory, depends on his ability to recall minute details to further his search of or hold on to a possible life partner. Scientific research shows that our memories are never written in stone, but are re-elaborated, re-worked, and transforming continuously. This leaves the question open regarding whose memories are fabricated when an amnesiac is given created memories every single day. As there are almost countless novels whose plot relies on a character’s memory loss (see the list for specific examples in https://www.goodreads.com/list/show/10996.Amnesia_and_Memory_Loss_Fiction), Christine’s plight has numerous literary precedents. In Don’s case, his memory is nowhere near as prodigious as that of Funes in Jorge Luis Borges’s short story Funes el memorioso, and therefore his situation is not tragic.
- Characters’ unethical behaviour. In both narrations, characters behave unethically: in Before I go to sleep, Christine’s lover and self-proclaimed husband is not only deceitful and dishonest, but also pathologically violent. Although his love for her keeps him busy with taking care of her, this love is possessive and unnatural, as she is shielded from realities of her family life. His character, however, has not received a full treatment, so the motivation behind his violence and unethical behaviour is unexplained. In The Rosie Project, Don not only collects DNA surreptitiously but also has the samples tested without the subjects’ approval, a situation which no self-respecting institute for higher learning would ever allow. This unethical behaviour, however, is needed for the story to proceed in a certain direction.
- The Nature of love. Love takes on various forms and definitions in both novels. Christine’s situation is intriguing, since she does not know who she slept with when she wakes up every morning: perhaps sleeping around was her customary activity before her trauma, but that means she kept yearning for love and not being able to get it. That calls into question her marriage and her having a son: clearly, these do not need to be based on love. Her lover and self-appointed husband’s situation is every different: his love is overpowering to the point where he obsesses over her and in fact turns extremely violent against her. It is not clear what Don imagines love to be, and, being very methodical, his search for a partner involves a research project. Ironically, the woman whom he chooses does not make it on the list of prospective partners (for ex., she smokes, and he is against smokers!), indicating not only that opposites attract each other but especially that one cannot simply treat human encounters as academic projects.
- Pitfalls in writing the first novel. Both novelists are first-time authors, and as much as their good intentions result in readable stories, there are some stumbling blocks which detract from a thorough enjoyment of reading their creations. Firstly, Before I go to sleep is written from a woman’s perspective (an always contentious choice on the part of a male author), but the character’s past before her trauma is not fully explained. This lack of content makes the trauma almost unbearably judgmental: she was punished to the extreme for her marital infidelity. The feminine traits that the author proposes are petty. Even though she wrote a novel, she is an uninteresting, gray character without redeeming features, one who lets herself be controlled like a puppet even by her best friend. Her trauma only underlines these traits. The Rosie Project‘s protagonist is a university professor: not an original choice, but writing about academia without being stereotypical seems to be impossible. Secondly, and more importantly, both authors (as well as countless others who write ‘popular’ novels) set their work in a vacuum: there is no sense of the general social, political, and economic environment to their stories: the protagonists’ issues are of a navel-gazing sort. Giving the characters a middle-class, pretty comfortable life lessens the impact which the narrations could have had. Fiction is not about accuracy, however, but if after having read the novel there is no answer to the question “So what?”, something really profound is missing.